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Lisa Gotto, "Passing and Posing between Black and White: Calibrating the Color Line in U.S. Cinema" (Bielefeld: transcript, 2021), 250 pp.

Lea Espinoza Garrido


Seiten 555 - 558

DOI https://doi.org/10.33675/AMST/2023/4/12


open-access

This publication is distributed under the terms of the Creative Commons License Attribution - NonCommercial - NoDerivatives 4.0.

Creative Commons License


1 Dawkins, Marcia Alesan. Clearly Invisible: Racial Passing and the Color of Cultural Identity. Waco, TX: Baylor UP, 2012. Print.

2 Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film. Durham, NC: Duke UP, 2016. Print.

3 Gotto, Lisa. Traum und Trauma in Schwarz-Weiß: Ethnische Grenzgänge im amerikanischen Film. Konstanz: UVK, 2006. Print.

4 Maurice, Alice. The Cinema and Its Shadow: Race and Technology in Early Cinema. Minneapolis: U of Minnesota P, 2013. Print.

5 Musser, Charles, Jane Marie Gaines, and Pearl Bowser, eds. Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era. Bloomington: Indiana UP, 2016. Print.

6 Nerad, Julie Cary, ed. Passing Interest: Racial Passing in US Novels, Memoirs, Television, and Film, 1990-2010. Albany: SUNY Press, 2014. Print.

7 Wald, Gayle. Crossing the Line: Racial Passing in Twentieth-century US Literature and Culture. Durham, NC: Duke UP, 2000. Print.

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